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Neurotiska städer: Stadens roll i Woody Allens filmer
Högskolan Dalarna, Akademin Humaniora och medier, Bildproduktion.
Högskolan Dalarna, Akademin Humaniora och medier, Bildproduktion.
2018 (svensk)Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgaveAlternativ tittel
Neurotic Cities (engelsk)
Abstract [en]

The main purpose of this essay is to examine the narrative function of the city in

the films of Woody Allen.

This was achieved through a narrative and comparative

analysis of four of his city films:

Manhattan (1979), Vicky Cristina Barcelona

(2008),

Midnight in Paris (2011) and To Rome with Love (2012). The results of

this examination show that the city has a variety of narrative functions throughout

the films. The city provides a natural environment that enables character meetings.

Living in the city can be so sought after, that the city itself becomes an important

goal for the protagonist. Portraying the city is often an essential part of a reflexive

narrative. The city is utilized for this and more in the films of Woody Allen.

sted, utgiver, år, opplag, sider
2018.
Emneord [sv]
Woody Allen, narratologi, meta city, stadssymfoni, spegelstad, flanör, anti-flanör, stad, film, Manhattan, Vicky Cristina Barcelona, Midnight in Paris, To Rome with Love
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Identifikatorer
URN: urn:nbn:se:du-27093OAI: oai:DiVA.org:du-27093DiVA, id: diva2:1180214
Tilgjengelig fra: 2018-02-05 Laget: 2018-02-05

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