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Adaptations of Adulthood: Towards a Model for Thematic Rhetoric in Adaptation Studies
Dalarna University, School of Humanities and Media Studies, Moving Image Production.
2020 (English)In: New Approaches to Contemporary Adaptation / [ed] Betty Kaklamanidou, Detroit: Wayne State University Press , 2020, p. 173-192Chapter in book (Refereed)
Place, publisher, year, edition, pages
Detroit: Wayne State University Press , 2020. p. 173-192
Series
Contemporary approaches to film and media series
Keywords [en]
Adaption, litteratur, film, monomyt, tematik, narrativa strukturer
National Category
Arts
Research subject
Research Profiles 2009-2020, Intercultural Studies
Identifiers
URN: urn:nbn:se:du-37556ISBN: 9780814346242 (print)OAI: oai:DiVA.org:du-37556DiVA, id: diva2:1575486
Available from: 2021-06-29 Created: 2021-06-29 Last updated: 2022-09-07Bibliographically approved
In thesis
1. Adapting Adulthood: Migrating Characters and Themesfrom Novels, Screenplays, and Films
Open this publication in new window or tab >>Adapting Adulthood: Migrating Characters and Themesfrom Novels, Screenplays, and Films
2021 (English)Doctoral thesis, comprehensive summary (Other academic)
Abstract [en]

When novels are adapted for the screen, the fictional characters are inevitablytransformed in the adaptation process, and so is the thematic content. This studyconsiders the characters and the thematic content of a story as migrants who leavethe land of the novel in order to adapt to a life on the screen with transformed selfidentities.The five articles that this thesis is based on focus on what happens to therepresentation of adulthood when novels are adapted for the screen. The articles testmodels for analysing thematic representation using popular works of fiction such asAtonement, Fifty Shades of Grey, Gone Girl, Me before You, Room, Shutter Island, The DaVinci Code, The Martian, The Road, Up in the Air, and novels by Patrick McCabe.Because novel-screenplay-film adaptations comprise alternative versions of astory, with their complementary lines of reasoning, they constitute particularly richthematic representations and metaphors for what social adaptation requires. In thatcontext, the thesis regards novel-screenplay-film adaptations as processes and objectsat the same time, each version an integral part of a greater dynamic whole.Relating to current theories of the attraction of fiction, chapter 1 presents theaim of the study. Chapter 2 describes the novel-screenplay-film adaptation processas a non-linear, two-way process of adaptation and appropriation, and a receptionbasedmodel for regarded adapted characters as fictional migrants. Chapter 3outlines a pragmatic model, with the hero’s journey as a foundation, to analyse thestructure of thematic lines of reasoning in fiction in general and adaptations inspecific, together with thematic markers. The chapter also presents the markers ofadulthood used in the articles, before chapter 4 and 5 summarise and discuss the fivearticles and implications related to adaptation studies, pedagogy, and screenwriting.

Place, publisher, year, edition, pages
Göteborg: Göteborgs universitet, 2021. p. 236
National Category
Specific Literatures Studies on Film
Identifiers
urn:nbn:se:du-42523 (URN)978-91-8009-198-5 (ISBN)978-91-8009-199-2 (ISBN)
Public defence
2021-02-26, Online via Zoom och i Lilla hörsalen, Humanisten, Renströmsgatan 6, Göteborg, 13:00 (English)
Opponent
Supervisors
Available from: 2022-09-09 Created: 2022-09-07 Last updated: 2023-03-17Bibliographically approved

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Hermansson, Joakim

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CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • chicago-author-date
  • chicago-note-bibliography
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf