du.sePublikationer
Ändra sökning
RefereraExporteraLänk till posten
Permanent länk

Direktlänk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • chicago-author-date
  • chicago-note-bibliography
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
Oljudens musik: En revolution i kompositionsteknik?
Högskolan Dalarna, Akademin Språk och medier, Ljud- och musikproduktion.
2005 (Svenska)Självständigt arbete på grundnivå (kandidatexamen)Studentuppsats (Examensarbete)
Abstract [sv]

Noise music is created around sounds not often welcome in a musical context. Since the birth of electronic music in the 1950s a new perspective on composing has emerged. In electronic music, sounds and their timbre are as much important as melody, harmony and rhythm. This composing perspective is not often observed. Therefore I have examined a musical genre that stretches the boundaries of what we consider music, sound, noise, beautiful and terrible. The aim of this thesis is to investigate what aesthetic ideals noise musicians have when they create music. I examine the composing processes of three noise musicians, by asking the following questions: Do you compose in advance or do you improvise, how do your control of sound look like, how do you use the human voice and how do you categorize sound? The thesis is constructed around interviews I have made with the musicians and an extensive historical background concentrated on the alternative composing techniques that has led to the development of noise music. Among the results I found that these noise musicians always improvise with material, but the real essence of noise music is the character of the sounds, not their origins or material. Composing in advance for sound is a lot more difficult than traditional composing. Another result is that these noise musicians have extensive control of their instruments and can produce the sounds they wanted. They point out the importance of instruments that produce sound not directly controlled by themselves, something that create a musical quality that they aspire.

Ort, förlag, år, upplaga, sidor
Falun, 2005. , s. 45
Nyckelord [sv]
Noise, noisemusik, Lasse Marhaug, Tommy Carlsson, Mikko Aspa, avantgarde, industri
Identifikatorer
URN: urn:nbn:se:du-1250OAI: oai:dalea.du.se:1250DiVA, id: diva2:517793
Uppsök
samhälle/juridik
Handledare
Tillgänglig från: 2005-06-16 Skapad: 2005-06-16 Senast uppdaterad: 2012-04-24Bibliografiskt granskad

Open Access i DiVA

fulltext(1925 kB)1846 nedladdningar
Filinformation
Filnamn FULLTEXT01.pdfFilstorlek 1925 kBChecksumma SHA-512
6fc70b9a580dab50f78faf67d762b281f4c4564809bca2dc2d077a1935b5e9021f58a998a13baa31969f93ad07e5abe3d9a46aba1784966d9cb95e3e9b5366de
Typ fulltextMimetyp application/pdf

Av organisationen
Ljud- och musikproduktion

Sök vidare utanför DiVA

GoogleGoogle Scholar
Totalt: 1846 nedladdningar
Antalet nedladdningar är summan av nedladdningar för alla fulltexter. Det kan inkludera t.ex tidigare versioner som nu inte längre är tillgängliga.

urn-nbn

Altmetricpoäng

urn-nbn
Totalt: 1559 träffar
RefereraExporteraLänk till posten
Permanent länk

Direktlänk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • chicago-author-date
  • chicago-note-bibliography
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf