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Postproduction agents: audiovisual design and contemporary constraints for creativity
Högskolan Dalarna, Akademin Humaniora och medier, Bildproduktion. (Audiovisuella Medier)ORCID-id: 0000-0003-2006-4522
2012 (engelsk)Licentiatavhandling, med artikler (Annet vitenskapelig)
sted, utgiver, år, opplag, sider
Eskilstuna: Mälardalens Högskola , 2012. , s. 102
HSV kategori
Forskningsprogram
Interkulturella studier, Kreativa beslut i produktionssituation inom filmproduktion
Identifikatorer
URN: urn:nbn:se:du-10794OAI: oai:DiVA.org:du-10794DiVA, id: diva2:555799
Presentation
2012-02-24, Högskolan Dalarnas Mediehus, TV-studion, Kaserngården 15, Falun, 13:15 (svensk)
Opponent
Veileder
Tilgjengelig fra: 2012-09-28 Laget: 2012-09-21 Sist oppdatert: 2016-11-25bibliografisk kontrollert
Delarbeid
1. New design process models for the audio visual industry: a design science approach
Åpne denne publikasjonen i ny fane eller vindu >>New design process models for the audio visual industry: a design science approach
2010 (engelsk)Inngår i: DS 60: Proceedings of DESIGN 2010, the 11th International Design Conference, Dubrovnik, Croatia: Modelling and Optimization of Engineering Design Processes / [ed] Marjanovic D., Storga M., Pavkovic N., Bojcetic N., Dubrovnik: FSB-The Design Society , 2010, s. 223-232Konferansepaper, Publicerat paper (Fagfellevurdert)
Abstract [en]

Industrial design processes have several common denominators regardless of the actual design. This is to say that the production of moving images is a kind of design process. Even though every single film- or TV-production is unique, the production processes as such are often similar. Therefore we suggest that a Distributed Creativity Workflow Model will be useful in film- and TV-production. This model will facilitate the design process and make the production of contemporary audio-visual material more cost effective. Hopefully more time can be spent on creativity within the process.

sted, utgiver, år, opplag, sider
Dubrovnik: FSB-The Design Society, 2010
Serie
Conference Proceedings of the International Design Conference
Emneord
Distribuerad Kreativitet, Designmodeller, Audio-Visuell Design, Film/TV-produktion
HSV kategori
Forskningsprogram
Kultur, identitet och gestaltning, Nya designprocesser inom den audiovisuella industrin
Identifikatorer
urn:nbn:se:du-4734 (URN)000301582200024 ()978-953-7738-03-7 (ISBN)
Konferanse
11th International Design Conference (Design 2010), Dubrovnik, 17-20 maj, 2010
Tilgjengelig fra: 2010-05-26 Laget: 2010-05-26 Sist oppdatert: 2016-01-04bibliografisk kontrollert
2. Creative Space in Contemporary Swedish Moving Image Production
Åpne denne publikasjonen i ny fane eller vindu >>Creative Space in Contemporary Swedish Moving Image Production
2012 (engelsk)Inngår i: Journal of Integrated Design & Process Science, ISSN 1092-0617, E-ISSN 1875-8959, Vol. 16, nr 4, s. 55-72Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

Production of moving images is turning completely digital. This leads to new possibilities and new constraints for creativity within film and TV production chains.

This paper describes professionals’ current comprehension of the consequences of the shift from celluloid to digital technologies, within the Swedish Moving Image Industry. New technologies bring new workflows, new design processes and new constraints.

We aim to illuminate factors that affect design creativity in digital moving image production, by addressing questions about production related responses to the digital turn as well as the affects of such responses on creativity.

Inspired by Ingar Brinck’s creativity theories (1999, 2007) we view aesthetic problem solving as a cognitive process and suggest creative spaces to be the critical phenomenon to manage. We also use organization theories, particularly the work of Katherine Miller (2011) to explain why creativity ought to be a primary management concern.

The empirical material used is semi-structured interviews with management personnel in Swedish moving image production companies. Outcomes include that the variety of digital formats available today is hard for crafts people to overview. This has brought costly workflow constraints that largely limit creativity.

We suggest a pre-production file format check-list as a tool to support design management.

sted, utgiver, år, opplag, sider
IOS Press, 2012
Emneord
technological Shift, file formats, workflow, creativity, design management
HSV kategori
Forskningsprogram
Interkulturella studier, Nya designprocesser inom den audiovisuella industrin
Identifikatorer
urn:nbn:se:du-10838 (URN)10.3233/jid-2012-0003 (DOI)2-s2.0-84871213299 (Scopus ID)
Prosjekter
New Design Processes in the Audiovisual Industry
Tilgjengelig fra: 2012-09-28 Laget: 2012-09-28 Sist oppdatert: 2019-10-15bibliografisk kontrollert
3. Agents, design and creativity: a postproduction analysis
Åpne denne publikasjonen i ny fane eller vindu >>Agents, design and creativity: a postproduction analysis
(engelsk)Manuskript (preprint) (Annet vitenskapelig)
Abstract [en]

The purpose of this paper is to clarify major issues in production planning and collaboration in the making of assemblies of moving images and soundtracks (postproduction of film, TV-programs et cetera). We argue that worker creativity in the making of such assemblies is constrained by the digitalization of production technology. We also argue that the members of each craft that collaborate in the process have their own set of aesthetic and technical problems that need to be solved and that the possible solutions are constrained by the creative space accorded to each craft. Participants do not necessarily subscribe to this idea and any theoretical understanding of the process must also account for the variety of notions put forward by the agents. We give examples from the Swedish TV show, Värsta Språket, from interviews and technical writing in order to clarify and support these arguments.

Emneord
moving image production, audiovisual design, crafts, creative spaces, agents, digital moving image materiality
HSV kategori
Forskningsprogram
Kultur, identitet och gestaltning, Audiovisuella medier - en innovativ miljö för samproducerad forskning
Identifikatorer
urn:nbn:se:du-10839 (URN)
Forskningsfinansiär
EU, European Research Council
Tilgjengelig fra: 2012-09-28 Laget: 2012-09-28 Sist oppdatert: 2018-01-12bibliografisk kontrollert

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