du.sePublikationer
Ändra sökning
RefereraExporteraLänk till posten
Permanent länk

Direktlänk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • chicago-author-date
  • chicago-note-bibliography
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
Tukkipoika: Some comments on recordings of North Swedish Folk Music
Högskolan Dalarna, Akademin Språk och medier, Ljud- och musikproduktion.
2013 (Engelska)Ingår i: The 17th Finnish Music Researchers’ Symposium, Turku March 13–15, 2013The Cultural Memory of Sound and Space : Abstracts / [ed] Maija Leino, Turku/Åbo: Åbo Akademi , 2013, s. 24-Konferensbidrag, Publicerat paper (Refereegranskat)
Abstract [en]

Sweden has a long and rich tradition of folk music recorded. During the 1970s, the genre flourished and got a new boost in the 1990s.

In the regions Norrbotten and Västerbotten a number of artists as Norrlåtar (”North Songs”), JP Nyströms and Burträskara (among others) on numerous recordings produced a well-crafted folk music. The music material was taken from the Swedish, Finnish and Sami music cultures in the region, for example, the yoik.

The recordings were often musically and technically well-crafted and designed an "authentic" sound, recorded in the studio or in a real environment outside the recording studio, for example a dance barn or in a kitchen.

The recorded music was part of a cultural project, that was both to make visible a peripheral region in Sweden and one in the folk world unknown music culture, and simultaneously problematize the concept of folk music. In the recorded music, it’s cultural and geographical ”space”, was expressed in the roominess of the recording.

In this lecture the recordings with Northern Swedish folk music is discussed as studio productions and cultural artifacts. A few analytical models and concept pairs, that describe music recordings as both representations and spatial and temporal design, is presented and applied to the material: the Representation model and the Room Model.

Ort, förlag, år, upplaga, sidor
Turku/Åbo: Åbo Akademi , 2013. s. 24-
Nyckelord [en]
folk music, production, authenticity, representation, spatial, temporal.
Nationell ämneskategori
Humaniora
Forskningsämne
Kultur, identitet och gestaltning
Identifikatorer
URN: urn:nbn:se:du-12036OAI: oai:DiVA.org:du-12036DiVA, id: diva2:611879
Konferens
Suomen musiikintutkijoiden 17. symposium, Turku 13–15 March 2013 : Äänen ja tilan kulttuurinen muisti : The 17th Finnish Music Researchers’ Symposium, Turku 13–15 march 2013 The Cultural Memory of Sound and Space
Tillgänglig från: 2013-03-19 Skapad: 2013-03-19 Senast uppdaterad: 2013-03-20Bibliografiskt granskad

Open Access i DiVA

Fulltext saknas i DiVA

Sök vidare i DiVA

Av författaren/redaktören
Burlin, Toivo
Av organisationen
Ljud- och musikproduktion
Humaniora

Sök vidare utanför DiVA

GoogleGoogle Scholar

urn-nbn

Altmetricpoäng

urn-nbn
Totalt: 636 träffar
RefereraExporteraLänk till posten
Permanent länk

Direktlänk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • chicago-author-date
  • chicago-note-bibliography
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf