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Neurotiska städer: Stadens roll i Woody Allens filmer
Dalarna University, School of Humanities and Media Studies, Moving Image Production.
Dalarna University, School of Humanities and Media Studies, Moving Image Production.
2018 (Swedish)Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesisAlternative title
Neurotic Cities (English)
Abstract [en]

The main purpose of this essay is to examine the narrative function of the city in

the films of Woody Allen.

This was achieved through a narrative and comparative

analysis of four of his city films:

Manhattan (1979), Vicky Cristina Barcelona

(2008),

Midnight in Paris (2011) and To Rome with Love (2012). The results of

this examination show that the city has a variety of narrative functions throughout

the films. The city provides a natural environment that enables character meetings.

Living in the city can be so sought after, that the city itself becomes an important

goal for the protagonist. Portraying the city is often an essential part of a reflexive

narrative. The city is utilized for this and more in the films of Woody Allen.

Place, publisher, year, edition, pages
2018.
Keywords [sv]
Woody Allen, narratologi, meta city, stadssymfoni, spegelstad, flanör, anti-flanör, stad, film, Manhattan, Vicky Cristina Barcelona, Midnight in Paris, To Rome with Love
National Category
Visual Arts
Identifiers
URN: urn:nbn:se:du-27093OAI: oai:DiVA.org:du-27093DiVA, id: diva2:1180214
Available from: 2018-02-05 Created: 2018-02-05

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CiteExportLink to record
Permanent link

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Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • chicago-author-date
  • chicago-note-bibliography
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf