The feminist critical deconstruction of Western culture and theology voiced by Luce Irigaray represents a certain branch of ecofeminist perspectives on religion. This article analyses the symbolic structures of suppression of women, body and nature, and the exaltation of spirit, culture and the androcentric God inherent in four hymns included in the new supplement (2006) to the Hymnal Book of the Church of Sweden. The analysis shows thet these symbolic structures of suppression are visible also in these more recent hymns, although they are at the same time challenged within the same texts