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Salience in popular music production
Dalarna University, School of Culture and Society, Sound and Music Production. Stockholms universitet / Musikvetenskap IKE.ORCID iD: 0000-0001-6902-8245
2021 (Swedish)In: Musikforskning idag 2021, 15–16 juni 2021, Program och abstrakt, 2021Conference paper, Oral presentation with published abstract (Refereed)
Abstract [en]

Salience in works of phonography What attracts the listener’s attention when listening to a favorite track? Is it the same feature that attracts attention when heard first time and upon repeated listening? How do producers give prominence to different musical properties? These are all questions regarding salience in works of phonography, i.e. musical works created as recorded sounds. As a part my PhD work-in-progress on salience in works of phonography, participant observation was conducted with in three mixing sessions with two separate artists, where the producers were interviewed on how they see the foreground-background relationship in the music they produce. Their responses, as well as the resulting works of phonography were analyzed using the theories of salience in social semiotics and psychology. The preliminary results show among other things that the salient features of music are genre-specific. How the producers envision what the listeners will notice and actively listen to in their music tell the music researcher much about the foreground-background relationships in particular genres, the production methods, and more generally about salience in recorded music. There are many events happening simultaneously in all music. The question of which of these events (are intended) to draw our attention the most is a question of musical foreground and background. The mechanisms that affects what in music is perceived to be in the foreground vs. background is complex and relates both to musical structure, musical cognition, and more importantly how these two meet.While this is not a new question, or specific to works of phonography, it is pertinent in the context of works of phonography, where musical properties outside of those we have methods for analysis dominate. This thesis work is about the challenge of analyzing works of phonography and offers studying salience in them as a useful way to tackle this challenge.

Place, publisher, year, edition, pages
2021.
National Category
Musicology
Identifiers
URN: urn:nbn:se:du-37407OAI: oai:DiVA.org:du-37407DiVA, id: diva2:1567609
Conference
Musikforskning idag 2021 15–16 juni 2021, Svenska samfundet för musikforskning i samarbete med Stockholms Musikpedagogiska Institut
Available from: 2021-06-16 Created: 2021-06-16 Last updated: 2023-04-14Bibliographically approved

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Sirman, Berk

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CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • chicago-author-date
  • chicago-note-bibliography
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf