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Film and TV Industry Responses to Research Results in a Workshop Setting
Dalarna University, School of Humanities and Media Studies, Moving Image Production. Mälardalen University. (Kultur Identitet Gestaltning / Audiovisuella studier)ORCID iD: 0000-0003-2006-4522
Dalarna University, School of Humanities and Media Studies, Moving Image Production. Mälardalen University.
2015 (English)In: IASDR2015 Interplay Proccedings / [ed] Vesna Popovic, Alethea Blacker, Ding-Bang Luh, Nithikul Nimkulrat, Ben Kraal, and Yukari Nagai, IASDR , 2015, 1917-1931 p.Conference paper (Refereed)
Abstract [en]

Immediate return of results to the Swedish film and TV industry from researchers conducting ongoing research within the field is rather unusual. As a design research approach we, as researchers, adopted this method in order to disseminate results and confront a wider group of interest parties than those represented by our informants.

The results from the research project, New Design Processes in the Audiovisual Industry, revealed that the transition from recording on celluloid with analogue film cameras to using high definition video cameras presented new cruxes for the film and TV industries (Eriksson & Swenberg, 2012). These cruxes preliminary concerned the choice of proper video codecs and file formats and how to configure them, in order to reinforce efficient workflow later in the production chain.

Members of the industry and educators were invited to participate in public workshops, held at Dalarna University, where these results were presented along with expert solutions to the problems. Questionnaires were distributed among participants before the start of each workshop, as well as at the end. Seminars and panel discussions, both consisting of question and answer sessions for participants were video-recorded.

The responses extrapolated from industrial representatives show an urgent need for discussion regarding the situation of digital cruxes within the film and TV industry. The Q & A sessions confirmed the widespread need for understanding several of the problems that had emerged. In the questionnaires, many industrial representatives expressed their appreciation for the opportunity to understand the nature of problems, how widespread they were, how to address them, and how to fill some of the most critical prevalent knowledge gaps.

Place, publisher, year, edition, pages
IASDR , 2015. 1917-1931 p.
Keyword [en]
co-creation, digital media, TV/Film industry, film production
National Category
Design Studies on Film Media Engineering
Research subject
Culture, Identity and Representations, Nya designprocesser inom den audiovisuella industrin
URN: urn:nbn:se:du-20589ISBN: 978-0-646-94318-3OAI: oai:DiVA.org:du-20589DiVA: diva2:890542
INTERPLAY between design, science, technology and the arts at the IASDR 2015 Congress in Brisbane, Australia, 2 – 5 November 2015
EU, European Research Council
Available from: 2016-01-04 Created: 2016-01-04 Last updated: 2016-01-04Bibliographically approved

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