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  • 1. Al-Saedi, Mariam
    Translation from Arabic into English of the short story "A Love that I do not Love" by Mariam al-Saedi2022In: Y'alla - A Texan Journal of Middle Eastern literature / [ed] Levi Thompson, Mathew Chovanec, Merve Tabur, Blake Atwood, Adriana X. Jacobs, Austin, Texas (USA): Center for Middle Eastern Studies at the University of Texas at Austin , 2022, 2Chapter in book (Other (popular science, discussion, etc.))
  • 2. al-Sayegh, Adnan
    Translation from Arabic into Italian of two poems from the collection "Under a Strange Sky" by Adnan al-Sayegh2022In: ArabPop: Rivista di Arti e Letterature Arabe Contemporanee / [ed] Chiara Comito, Fernanda Fischione, Anna Gabai, Silvia Moresi, Olga Solombrino, Napoli: TAMU EDIZIONI , 2022, p. 26-27Chapter in book (Other (popular science, discussion, etc.))
  • 3.
    Görts, Maria
    Dalarna University, School of Humanities and Media Studies, Moving Image Production.
    Att skolas i historiemåleri2014In: En målad historia: Svenskt historiemåleri under 1800-talet / [ed] Kristoffer Arvidsson, Göteborg: Göteborgs konstmuseum , 2014Chapter in book (Other academic)
  • 4. Hassanein, Moataz
    Translation from Arabic into Italian of the first chapter of the novel "2063" by Moataz Hassanein2022In: ArabPop: Rivista di Arti e Letterature Arabe Contemporanee / [ed] Chiara Comito, Fernanda Fischione, Anna Gabai, Silvia Moresi, Olga Solombrino, Napoli: TAMU EDIZIONI , 2022, p. 29-31Chapter in book (Other (popular science, discussion, etc.))
  • 5. Sandahl, Ann-Louise
    Temporalitet i visuell kultur: Om samtidens heterokrona estetiker2016Doctoral thesis, monograph (Other academic)
    Abstract [en]

    In contemporary society temporalities in different scales coexist, cooperate and collide. Clock time serves as a main reference for time, although a lot of processes have nothing to do with clock time and can’t be measured by its scales. One of the dissertation’s points of departure is that temporal narratives is a key factor for affecting how people act and think, and therefore there is a need for visualizations, conceptual figurations and cognitive objects for complex forms of time. The dissertation evolves around art works, visualizations and theories that deal with today’s multiple temporal forms and narratives. One of the questions the dissertation sets out to answer concerns how temporality is visualized in contemporary art and visualizations. It also aims to demonstrate the relevance of visual studies in the new field of environmental humanities. A number of temporal concepts are explored in relation to art works. One such concept is heterochrony, a term referring to a multifaceted temporality, that art theorist Nicolas Bourriaud claims is common in contemporary art. Another is timescapes, a term for an entangled temporality, described by sociologist Barbara Adam, and chronoscopy coined by philosopher Paul Virilio, referring to an extremely short-termed perspective. Space of flows and space of places are concepts formulated by sociologist Manuel Castells, denoting the spatiotemporal logics that have emerged in the network society, where citizens simultaneousley can exist in physical and virtual spacetimes. Also two concepts for a vast time span are discussed: anthropocene, a suggested new geological era, and the long now, a perspective formulated by the artist and musician Brian Eno. One conclusion is that complex and sensous understandings of temporality can be accomplished through art works and visualizations. Artistic expressions have the potential to inspire, worry and affect viewers and produce narratives of the multiple temporalities embedded in climate changes. Multiple forms of temporality can be found in the discussed works, and the narratives that emerge are entangled and heterogenous and speak of heterochrony, chronoscopy, and anthropocene, that is, of temporal forms that cannot easily be related to a human lifetime or to everyday understandings of time.

  • 6.
    Strandroth, Cecilia
    Södertörns högskola, Konstvetenskap.
    På forskningsresa i det digitala bildarkivet: ett brukarperspektiv2009In: I bildarkivet: om fotografi och digitaliseringens effekter / [ed] Anna Dahlgren, Pelle Snickars, Stockholm: Kungl. biblioteket , 2009, p. 91-120Chapter in book (Other academic)
  • 7.
    Strandroth, Cecilia
    Södertörns högskola, Konstvetenskap.
    The "New" History?: Notes on the Historiography of Photography2009In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 78, no 3, p. 142-153Article in journal (Refereed)
    Abstract [en]

    The French anthology Nouvelle Histoire de la Photographie, published in 1994 under the editorship of Michel Frizot and translated into English in 1998, has been recognized as presenting a new way of writing the history of photography. Its precursors were surveys of the development of photography as an art, imbued by a modernist aesthetics of media specificity. Conversely, Nouvelle Histoire de la Photographie is generally acknowledged as having illuminated more aspects of the multifaceted medium of photography, used for many ends other than art. While this article recognizes the book's departure from the model once provided by the histories of art, it claims that it has not similarly departed from the modernist evolutionary tendencies of its earlier precursors. In renouncing the influences from the history of art, it has in fact made these even stronger, turning the book into a celebration of the medium in itself.

  • 8.
    Ångström-Grandien, Inga Lena
    Dalarna University, School of Languages and Media Studies, History and Theory of Art.
    Painting in Tallinn during the Swedish period (1561-1710): production and reception2009In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 78, no 2, p. 104-111Article, book review (Other academic)
  • 9.
    Ångström-Grandien, Inga Lena
    Dalarna University, School of Languages and Media Studies, History and Theory of Art.
    The Reception of the Classical Ideal in Swedish 16th Century Art and Architecture2003In: The problem of classical ideal in the art and architecture of the countries around the Baltic sea, Tallin, 2003Conference paper (Refereed)
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