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Videography as production nexus: digital film cameras, media mangement and the distribution of creativity
Högskolan Dalarna, Akademin Humaniora och medier, Bildproduktion. Mälardalens högskola, Akademin för innovation, design och teknik).ORCID-id: 0000-0002-5921-0227
2013 (Engelska)Licentiatavhandling, sammanläggning (Övrigt vetenskapligt)
Abstract [en]

This thesis is about new digital moving image recording technologies and how they augment the distribution of creativity and the flexibility in moving image production systems, but also impose constraints on how images flow through the production system. The central concept developed in this thesis is ‘creative space’ which links quality and efficiency in moving image production to time for creative work, capacity of digital tools, user skills and the constitution of digital moving image material. The empirical evidence of this thesis is primarily based on semi-structured interviews conducted with Swedish film and TV production representatives.This thesis highlights the importance of pre-production technical planning and proposes a design management support tool (MI-FLOW) as a way to leverage functional workflows that is a prerequisite for efficient and cost effective moving image production.

Ort, förlag, år, upplaga, sidor
Västerås: Mälardalen University Press , 2013. , s. 142
Serie
Mälardalen University Press Licentiate Theses, ISSN 1651-9256 ; 162
Nyckelord [en]
videography, media management, creativity
Nationell ämneskategori
Humaniora
Forskningsämne
Interkulturella studier, Kreativa beslut i produktionssituation inom filmproduktion
Identifikatorer
URN: urn:nbn:se:du-13349ISBN: 978-91-7485-099-4 (tryckt)OAI: oai:DiVA.org:du-13349DiVA, id: diva2:668120
Presentation
2013-11-21, Tv-studion, Mediehuset, Högskolan Dalarna, Falun, 13:00 (Svenska)
Opponent
Handledare
Tillgänglig från: 2013-12-02 Skapad: 2013-11-27 Senast uppdaterad: 2023-10-26Bibliografiskt granskad
Delarbeten
1. New design process models for the audio visual industry: a design science approach
Öppna denna publikation i ny flik eller fönster >>New design process models for the audio visual industry: a design science approach
2010 (Engelska)Ingår i: DS 60: Proceedings of DESIGN 2010, the 11th International Design Conference, Dubrovnik, Croatia: Modelling and Optimization of Engineering Design Processes / [ed] Marjanovic D., Storga M., Pavkovic N., Bojcetic N., Dubrovnik: FSB-The Design Society , 2010, s. 223-232Konferensbidrag, Publicerat paper (Refereegranskat)
Abstract [en]

Industrial design processes have several common denominators regardless of the actual design. This is to say that the production of moving images is a kind of design process. Even though every single film- or TV-production is unique, the production processes as such are often similar. Therefore we suggest that a Distributed Creativity Workflow Model will be useful in film- and TV-production. This model will facilitate the design process and make the production of contemporary audio-visual material more cost effective. Hopefully more time can be spent on creativity within the process.

Ort, förlag, år, upplaga, sidor
Dubrovnik: FSB-The Design Society, 2010
Serie
Conference Proceedings of the International Design Conference
Nyckelord
Distribuerad Kreativitet, Designmodeller, Audio-Visuell Design, Film/TV-produktion
Nationell ämneskategori
Design Mediateknik
Forskningsämne
Interkulturella studier, Nya designprocesser inom den audiovisuella industrin
Identifikatorer
urn:nbn:se:du-4734 (URN)000301582200024 ()978-953-7738-03-7 (ISBN)
Konferens
11th International Design Conference (Design 2010), Dubrovnik, 17-20 maj, 2010
Tillgänglig från: 2010-05-26 Skapad: 2010-05-26 Senast uppdaterad: 2023-10-26Bibliografiskt granskad
2. Creative Space in Contemporary Swedish Moving Image Production
Öppna denna publikation i ny flik eller fönster >>Creative Space in Contemporary Swedish Moving Image Production
2012 (Engelska)Ingår i: Journal of Integrated Design & Process Science, ISSN 1092-0617, E-ISSN 1875-8959, Vol. 16, nr 4, s. 55-72Artikel i tidskrift (Refereegranskat) Published
Abstract [en]

Production of moving images is turning completely digital. This leads to new possibilities and new constraints for creativity within film and TV production chains.

This paper describes professionals’ current comprehension of the consequences of the shift from celluloid to digital technologies, within the Swedish Moving Image Industry. New technologies bring new workflows, new design processes and new constraints.

We aim to illuminate factors that affect design creativity in digital moving image production, by addressing questions about production related responses to the digital turn as well as the affects of such responses on creativity.

Inspired by Ingar Brinck’s creativity theories (1999, 2007) we view aesthetic problem solving as a cognitive process and suggest creative spaces to be the critical phenomenon to manage. We also use organization theories, particularly the work of Katherine Miller (2011) to explain why creativity ought to be a primary management concern.

The empirical material used is semi-structured interviews with management personnel in Swedish moving image production companies. Outcomes include that the variety of digital formats available today is hard for crafts people to overview. This has brought costly workflow constraints that largely limit creativity.

We suggest a pre-production file format check-list as a tool to support design management.

Ort, förlag, år, upplaga, sidor
IOS Press, 2012
Nyckelord
technological Shift, file formats, workflow, creativity, design management
Nationell ämneskategori
Design Mediateknik
Forskningsämne
Interkulturella studier, Nya designprocesser inom den audiovisuella industrin
Identifikatorer
urn:nbn:se:du-10838 (URN)10.3233/jid-2012-0003 (DOI)2-s2.0-84871213299 (Scopus ID)
Projekt
New Design Processes in the Audiovisual Industry
Tillgänglig från: 2012-09-28 Skapad: 2012-09-28 Senast uppdaterad: 2023-10-26Bibliografiskt granskad
3. Convergence cameras and the new documentary image
Öppna denna publikation i ny flik eller fönster >>Convergence cameras and the new documentary image
2012 (Engelska)Ingår i: Digital Creativity, ISSN 1462-6268, E-ISSN 1744-3806, Vol. 23, nr 3-4, s. 291-306Artikel i tidskrift (Refereegranskat) Published
Abstract [en]

New digital recording technologies pose new creative dilemmas for documentary videographers. The new type high-resolution video camera with 35 mm sized sensors and mounts for real film lenses generate a type of imagery that does not look typically ’observational’. By testing this imagery’s capacity as the guarantor of documentary authenticity and interrelating this with visualisation theories, this paper aims to explain the ontology of the new digital documentary image, its lure for the documentary filmmaker and its ramifications on reception in order to leverage technological production awareness of the documentary videographer and production members. The empirical data presented in this article is based on an explorative reception study in which five different types of moving image sequences were tested on an audience in order to be able to define the level of indexical appeal in shallow depth of field, high resolution, High Production Value, documentary moving images. © 2012 Copyright Taylor and Francis Group, LLC.

Nyckelord
Digital recording; documentary; Empirical data; High resolution; Production value; reception; verisimilitude; videographer, Cameras; Image processing; Motion pictures, Video cameras
Nationell ämneskategori
Design Mediateknik
Forskningsämne
Forskningsprofiler 2009-2020, Interkulturella studier
Identifikatorer
urn:nbn:se:du-12464 (URN)10.1080/14626268.2012.731652 (DOI)000312124600010 ()2-s2.0-84871206105 (Scopus ID)
Tillgänglig från: 2013-05-23 Skapad: 2013-05-23 Senast uppdaterad: 2023-10-26Bibliografiskt granskad
4. Design Management Support for the Audiovisual Industry
Öppna denna publikation i ny flik eller fönster >>Design Management Support for the Audiovisual Industry
2013 (Engelska)Manuskript (preprint) (Övrigt vetenskapligt)
Nationell ämneskategori
Mediateknik Design
Forskningsämne
Interkulturella studier, Nya designprocesser inom den audiovisuella industrin
Identifikatorer
urn:nbn:se:du-13392 (URN)
Tillgänglig från: 2013-12-02 Skapad: 2013-12-02 Senast uppdaterad: 2023-10-26Bibliografiskt granskad

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